Complete coverage of Bestival 2011 from The Fugitive Motel.
Kate Goodacre is a freelance writer, copyeditor and photographer. She founded The Fugitive Motel in late 2006, and her taste in music has been broadened greatly by her co-contributors over the years that the site and the Motel collective has been in business. Kate likes pink lady apples, sunflowers, mixtapes, recycling, open-wheeled motorsport, the smell of a well-kept park, the Today Programme and that strangely invigorating stillness you get in a city early on any weekend morning.
Website: http://www.thefugitivemotel.org.uk
kate has written 390 articles so far, you can find them below.
It says a lot that Noah and Whale can reduce a crowd of thousands to gibbering, incoherent, grinning fools with a collection of songs that aren't even their best.
A little nervous about The Cure, who are playing for two and a half hours. Is this going to be a crowd-pleasing festival set, or self-indulgent guff?
Now they're lying on their backs on the grass inside the tent, cycling to The Smiths. Genius. Any minute now somebody's going to come in whirling some gladioli.
Flavor Flav has got his clock out... there's already been an attempted stage invasion... and a lot of rhythmic shouting of "DON'T BELIEVE THE HYPE!" and we're only one song/medley in.
Bestival is officially Going Off. And that's before White drops a pantomime horse into the mix.
Beth Jeans Houghton with Stealing Sheep
Trof Grosvenor Street (The Deaf Institute), Manchester
Saturday October 1, 2011
The vocal range that Houghton shows on opener 'Atlas' alone is truly remarkable, flitting from an earthy alto to an equally rich, soaring soprano. The ease with which she moves through key changes throughout her performance is really something else.
Dutch Uncles fight over the bathroom in the new promo for 'The Ink', which is out this week.
Bestival 2011 Clockwatch: Sunday, September 11, Part 1
Filed under Bestival, Festival Coverage by Kate Goodacre on October 4, 2011 at 6:25 pm {no comments}Chatting to two lovely girls at the barrier, both of whom are adamant that Metronomy will provoke some sort of conversion in your editor's attitude from 'mild indifference' to 'rabid fandom' during the next 45 minutes. I respectfully disagree...