Kate and Andy F look back at five years of photographing Bestival...
Kate Goodacre is a freelance writer, copyeditor and photographer. She founded The Fugitive Motel in late 2006, and her taste in music has been broadened greatly by her co-contributors over the years that the site and the Motel collective has been in business. Kate likes pink lady apples, sunflowers, mixtapes, recycling, open-wheeled motorsport, the smell of a well-kept park, the Today Programme and that strangely invigorating stillness you get in a city early on any weekend morning.
Website: http://www.thefugitivemotel.org.uk
kate has written 332 articles so far, you can find them below.
Patrick Wolf - 'Time of My Life' (Universal/Mercury Records) [re-release]
September 12, 2011
5.7/6.0
The first time you hear Wolf sing that euphoric refrain of "# Hold on/ It won't be long 'til I go through this struggle #", your serotonin levels will skyrocket.
Side B of Kate's Bestival preview mixtape, featuring Bjork, The Cure, Patrick Wolf and more...
Kate is back on Bestival preview duty, and it feels so good! Side A of our special mixtape features Robyn, Yuck, Los Campesinos and more...
Beacons Festival may have sadly been cancelled due to flooding, but check out our mixtape highlighting the best of the weekend...
The Motel's festival mixtape will make all your Camp Bestival planning easy - or allow you to party with the best of them if you can't make it this time around...
Kate takes a look back at Amy Winehouse's musical legacy following her premature and untimely death with six great live performances.
It feels like yesterday that we were previewing last year's Somerset House Summer Series, but still, time to find out what's on offer at London's most beautiful building from next week...
Waiting three months for Laura Marling's new record is going to be agony if this teaser video is an indication of what we can expect...
Noah and the Whale
Stanley Theatre, Liverpool
Monday May 9, 2011
If the London-based outfit weren't so damn charming, it would be easy to become jealous of their live prowess. They have cut themselves adrift from the mildly twee acoustic sounds of their debut and taken a more populist approach [but demonstrate] that whatever musical treatment those tracks are given, they have a timeless appeal.