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Home   /   Music: Reviews   /   Live Reviews   /   Page 3
Eye and Eye

Eye and Eye

July 22, 2011
by Ste Grindrod
Live Reviews, Music: Reviews

Bright Eyes
Academy 1, Manchester
Thursday July 14, 2011

It’s like an Oasis concert. I thought I was going to a hipster gig, where hipsters who like Bright Eyes (because all Bright Eyes fans are hipsters you know) could politely convene and wallow in our misunderstood anxiety and marvel at Conor Oberst.

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Transatlantic Drift

Transatlantic Drift

July 21, 2011
by Ste Grindrod
Live Reviews, Music: Reviews

Death Cab for Cutie
Academy 1, Manchester
Monday July 4th, 2011

The Washington four-piece’s breakthrough long-player Transatlanticism still casts an enormous shadow over everything they do, with opener ‘The New Year’ and the title track book ending tonight’s performance.

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Biophilia Hypothesis

June 29, 2011
by Fugitive Motel HQ
Festival Coverage, Live Reviews, Music: Reviews

Björk
Campfield Market Hall, Museum of Science and Industry, Manchester
Monday June 27, 2011

When I first heard that Biophilia was going to be the world’s first app-album, recorded partly on an iPad, my heart sank a little. However, hearing new songs such as ‘Virus’, ‘Moon’ and ‘Crystalline’ justifies the choice.

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This Charming Man

This Charming Man

June 29, 2011
by Ste Grindrod
Live Reviews, Music: Reviews

Ryan Adams
Bridgewater Hall, Manchester
Thursday June 23rd, 2011

Someone down the front suggests whisky. [Adams] answers: "No, tried that, didn’t work out too great for me."

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Folk and Proud

Folk and Proud

June 16, 2011
by Ste Grindrod
Live Reviews, Music: Reviews

The Chapin Sisters
Night & Day Café, Manchester
Monday June 13, 2011

Going to see a folk duo with the ‘sister’ suffix that isn’t these two kind of feels like I’m committing some sort of music adultery, but the theme is pretty similar.

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Holier Than Thou

Holier Than Thou

June 14, 2011
by Steve Welch
Live Reviews, Music: Reviews

Emmy the Great with Grace Petrie
Sacred Trinity Church, Salford
Monday June 6, 2011

The feeling that are watching an artist who has developed significantly over time is then reinforced when the band present a reworked 'We Almost Had a Baby' with Emmy’s guitar completely removed in favour of a drifting background of electric guitar picking and keyboards.

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Ariel’s Graffiti Sprays Goths a Shade of Pink

June 12, 2011
by Andy Fairclough
Live Reviews, Music: Reviews

Ariel Pink's Haunted Graffiti with John Wiese
Koko, London
Friday May 13, 2011

'60s psych-pop vibes flow through laid-back onlookers while a hardcore of fans dance and sing along to every last word.

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Friendly Ghosts

Friendly Ghosts

June 8, 2011
by Steve Welch
Live Reviews, Music: Reviews

Team Ghost with Daniel Land and the Modern Painters
The Castle Hotel, Manchester
Wednesday May 18, 2011

Proceedings begin to stutter very quickly, however, as technical gremlins force long delays between early songs and the momentum stalls somewhat after a promising start.

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Tripping the L.I.F.E Fantastic

June 7, 2011
by Kate Goodacre
Live Reviews, Music: Reviews

Noah and the Whale
Stanley Theatre, Liverpool
Monday May 9, 2011

If the London-based outfit weren't so damn charming, it would be easy to become jealous of their live prowess. They have cut themselves adrift from the mildly twee acoustic sounds of their debut and taken a more populist approach [but demonstrate] that whatever musical treatment those tracks are given, they have a timeless appeal.

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Twin Shadow @ Scala?... #twinning!

Twin Shadow @ Scala?… #twinning!

May 17, 2011
by Andy Porter
Live Reviews, Music: Reviews

Twin Shadow
Kings Cross Scala, London
Wednesday, May 11th 2011

There’s something even more absorbing in the elegantly composed and sartorially refined presence of a bandleader at home on stage, and there’s no doubting George is that man tonight.

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Established in 2007, The Fugitive Motel is a collective webzine run by passionate, informed people who care about their music and popular culture. We try not to discriminate by genre or, indeed, anything else - we only care about whether your music is good or not. Our contributors are split between Manchester and London, two of the UK's most creative cities.

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